Like the album’s iconic artwork, the group’s music offers a brilliant and spontaneous sonic hodgepodge, cohesively sewn together and perfectly soundtracking the ever-changing times of the 1960s. This album is stuffed with the then-pioneering keyboard, aiding the overall blissed-out vibe. The songs produced during these times has expressive, lyrical tunes, and hip turning pieces. Keith Richards wrote some of his finest riffs on Let It Bleed, filling out their songs alongside Mick Jagger’s darker lyrics on war, drugs and loneliness. —Holly Gleason, One of the best albums of the 1960s was by one of the decade’s most difficult bands to Google. But his interest in prisons dated back to 1953, when he saw Crane Wilbur’s drama Inside the Walls of Folsom Prison. Using a combination of in-camera photography and Photoshop, the classic covers capture the essence of their iconic source material. Vinylradar has made a selection with the most famous and iconic album covers from the golden decade of the psychedelia. A Love Supreme was a shining example of cohesion, with Coltrane at the helm. It shows an illustration of Simon flying like a hero, with his white hair looking like wings. Rawer than the Stooges and almost as much of a “fuck you” as Metal Machine Music, the Velvets’ second album drenched Lou Reed’s grimy tales of chemicals and aberrant sex in torrents of noise and feedback, treading the line between songs and pure noise. If anyone asks you for a working definition of “soul,” point them in the direction of this album. The photograph on the front cover of the album, depicting the band in the front room of guitarist Paul ‘Bonehead’ Arthurs’ house, was taken by rock photographer Michael Spencer Jones and is said to be inspired by the back cover of 60s Beatles compilation A Collection of Beatles Oldies, on which the Fab Four are sat around a table in a Japanese hotel room. Blondie covered their “Out In The Streets” early in their career. The Rolling Stones were huge in the 60s, but they became more iconic in the 70s. Hipgnosis Studio 10cc, Deceptive Bends (1977) The last album on this list is not pen or brush to paper, but it might as well be. All Rights Reserved. Unconvinced of his singing ability and with only a modest ambition to eke out a living as a songwriter in Nashville, it’s safe to assume that few people who first heard Cohen’s deep baritone voice intone his way through ‘Suzanne,” “Stranger Song” or “Sisters of Mercy” when Songs of Leonard Cohen first came out in 1967 could have predicted the Montreal singer’s artistic longevity. See more ideas about album covers, album, record sleeves. Yes, this is the album where Aretha arrives. It was designed by the in-house art department at UNI Records. The same youthful drive runs through most of the songs, especially evident on “Tramp,” Redding’s duet with Carla Thomas. It features a simple but iconic album cover art with pink and yellow flowers that looks like an abstract as well. ", followed by 368 people on Pinterest. If “Ain’t No Way” were a person, it would be that person you want to just slow-dance with in your living room at four in the morning and drape your arm around as you both fall asleep. Odessey and Oracle is the Hope Diamond of their catalog. —Patty Miranda, The Velvet Underground’s third effort is their first to feature Doug Yule. Yes, the brazen full-tiltery of “Purple Haze” and “Foxy Lady” was acknowledged in “Up From The Skies,” but this was a deeper journey from the inside out. It’s the kind of emotional outcry that can’t be fully described, but is simply felt within moments of putting this record on. Nowhere is that more apparent than on her 1961 full-length debut, At Last!. One is the Polydor release that features a lightbulb with a group photo on its base, which was designed by Wolfgang Heilemann. JLT. At the back, it features a fisheye group shot of the band which was taken by Thomas Weir. Let It Bleed closes with “You Can’t Always Get What You Want,” wrapping up the last great album released in the ‘60s. Heard on its own merits, Presenting the Fabulous Ronettes Featuring Veronica is a wonder of transmogrified, dreamy R&B. For all intents and purposes, the arguments made for ‘the best album of the 1960’s’ and ‘the greatest Beatles album’ are one in the same. In one particularly notable instance, the Dean of rock critics, Robert Christgau, expected to hate The Band based on his dislike of Music From Big Pink, but went on to suggest it was better than Abbey Road. Classic Album Covers of the 60s - Over 200 of the Best Covers of the Decade 24 February 2020, 18:51. The Rolling Stones were huge in the 60s, but they became more iconic in the 70s. The band’s sophomore opus takes the psychedelic blues-rock template of their debut and amplifies it, cranking frontman Robert Plant’s mystique and raw sexuality to 11. If asked which album covers they love most, more than 80% of listeners would quote albums from the 60s and the 70s. In other words, the ‘60s produced some of the greatest records of all time, but beyond that, it’s the decade taught us what music could—and should—truly be. The Notorious B.I.G., 'Ready to Die' (1994) The innocence of a baby-sized Biggie on the cover of his … With songs like “Blowin’ in the Wind,” “Girl From North Country,” “Masters of War,” and “Don’t Think Twice, It’s All Right” that are still in Dylan’s set list nearly half a century later, ‘Freewheelin’ is an album whose music will outlive everyone who’s reading this. Part of the legend of this album is its cover, which is a painting done by Terry Quirk, the Zombie bassist’s friend. 5/58. The design is on t-shirts. The cover of this album features a painting of the band by Roger Law, then the painted image of the Experience was superimposed on top of a copy of a mass-produced religious poster. The Shangri-Las managed to do both. This cover art represented a charming cross-section of cultures, importance, and as well as individual interests of each member of the Beatles. An archetypal “splatter platter,” “Leader of The Pack” was just one of many teenage tragedy sides the Shangri-Las would cut, making them something of icons in macabre sub-genre. Best album covers of the 1980s. Pepper’s Lonely Hearts Club Band by. Therefore, they are the ones who brainstormed the cover art for the album themselves. It is also a time when social issues were broached courageously. War by U2 This album includes the singles “I Started a Joke” and “I’ve Got a Message to You”. Axis: Bold as Love is the 2nd studio album of The Jimi Hendrix Experience. The best album artwork of 2016; Here, we celebrate a decade of amazing album covers from the split-personality 1970s. —Ryan Reed, After going electric and releasing two records full of raving existentialism and subversive societal commentary in Bringing It All Back Home and Highway 61 Revisited, Dylan took a broader, more tender approach to his 1966 double album Blonde on Blonde. Idea is Bee Gees’ 4th album, and it was released in 1968. Wilson paired with Tony Asher for most of the tracks, which include unforgettable classics like “Wouldn’t It Be Nice,” “I’m Waiting for the Day” and Paul McCartney’s favorite track of all time, “God Only Knows.” —Tyler Kane, Highway 61, much like the thoroughfare that stretches from Dylan’s native Minnesota and follows the Mississippi down to New Orleans from which it takes its name, represents a certain musical journey. Last week, we brought you the 80s album covers quiz.This week, it's back to the 70s to see if you can recognise the following sleeve artwork • Take the 90s album covers quiz here The song was more folksy Dylan than soul, and it was a glimpse of a more thoughtful, less formula-driven side of Redding, reflective of the sea change going on within him due to the political climate of the late ‘60s. —Adam Vitcavage, Polarizing is just one word out of many (some much more colorful) that jazz enthusiasts would use to describe Miles Davis’ 1969 foray into electric jazz, In A Silent Way. Tambourine Man.” Suddenly aligned with a hardcore right-wing genre, stereotypes were shattered—not with Clarence White’s electric guitar, but pools of Jay Dee Maness and Lloyd Green’s plangent steel. Take the coolest frontwoman of all time, stick the rest of the band in cool suits, and go monochrome, with the title in lipstick-red, and you have one very cool, and thoroughly iconic album cover. The main reason of these relatively poor performances is that the general public was already well convinced by the singer, going after his album instan… The songs produced during these times has expressive, lyrical tunes, and hip turning pieces. —Holly Gleason, A common trope in talking about the music of the ’60s, particularly rock ’n’ roll, soul and R&B, is this idea of finding fame through covering and recontextualization (and, in some cases and camps, flat-out cultural theft). This album has two cover art versions. *FREE* shipping on qualifying offers. It was designed by Klaus Voorman. This is the debut album of the British psychedelic band, Nirvana, which was released in 1967. The bottom image is the reproduction from Liming (LM-2200). And in that they were far from alone: The tradition of interesting and creative jazz album covers goes all the way back to the early days of vinyl, with illustrators and designers like Jim Flora and Alex Steinweiss contributing unique artwork to adorn 78s and LPs in the ’40s. The vocal quartet of Mary and Betty Weiss and Marge and Mary Anne Ganser imbued the lush, saccharine girl-group sound with a creeping darkness. Turns out there’s something lasting in that mix. —Bonnie Stiernberg, Led Zeppelin weren’t exactly treading new ground when Jimmy Page formed the group in 1968, bringing them together to release their self-titled debut a year later. Here is a definitive collection of the most outstanding album covers of the 80s. mbd40, Sep 20, 2020 #42. The cover of the Beatles ' 1967 LP Sgt. On its release, it was received indifferently but has since become one of the most celebrated albums of the 60s. And the album never sounds like a patchwork, partly due to guitarist Jimmy Page’s groundbreaking production, and also due to the band’s well-rehearsed power and finesse. “Foxy Lady” has one of the downright nastiest riffs ever recorded, and “Fire” is the most appropriately titled song in rock history. It’s true that iconic album covers do not just define the music and songs each one of them contains, but they also define an era, a generation, and as well as an entire musical genre. The best album covers of the 1980s. It was a time when excitement ran rife in the music scene. The record pushed British psychedelia into a new pretty pop territory with celebrated classics like “This Will Be Our Year” and—from a time before crooning “who’s your daddy?” was all kinds of creepy—”Time of the Season.” Shockingly, the record never made much of an impression in the band’s homeland; however, the lasting impression left in the States still resounds in the most harmonic way. The album (along with Def Jam) defined hip-hop for the decade, and the artwork was equally iconic. It is designed by Andy Warhol. —Doug Heselgrave, Evocative, meditative, wildly romantic and essential to the unspoken places of desire, Sketches is Miles Davis’ most contemplative—and to some controversial— records of his career. However, we’ve barely scratched the surface; to avoid making this just a list of Beatles and Bob Dylan records, we’ve limited it to three albums per artist—which means some incredible works like Rubber Soul, The White Album and Bringing It All Back Home, while highly recommended by us, had to get bumped this time around. Released in 1965, John Coltrane’s A Love Supreme was certainly celestial. Songs from bluegrass stalwarts The Louvin Brothers (“The Christian Life”), hard folkie Woody Guthrie (“Pretty Boy Floyd”) and emerging superstar Merle Haggard (“Life in Prison”) sat comfortably beside Dylan (“You Ain’t Goin’ Nowhere”) and Tom Hardin (“You’ve Got A Reputation”) as simpatico companions, making the synthesis seamless. Its close up of a cassette deck on a boombox instantly brought to mind the B-Boy and graffiti scene of the late 70s and 80s from which they all came. A decade later, the song has taken on prophetic new meaning; without it, it’s impossible to imagine Best Coast or Vivian Girls. The cover of this album features a kaleidoscopic photo of the band, which was captured by Vic Singh. The most banjoing-est band on Earth broke through in a huge way with Babel, its second album of hard-charging, old-timey American folk music as performed by a bunch of English guys in vests. In the digital era, album covers may be considered a thing of the past. All of the albums listed would be a great addition to anyone's record collection.Purchasing all the original pressings of these records may be more expensive than a … Of all Redding’s posthumous releases, this one is the most revelatory of the direction his career could have taken. It features a composite head made from each band member of Bee Gees. Power Plant was an album released by The Golden Dawn in 1966 before they broke up in 1968. It resembles a mandala which incorporates the similarities of the band members’ heads. The reflection of their bold viewpoints begins on this friendly pop-medley album that became a cornerstone and a launching point for many musicians’ activism. —Tyler Kane, After the commercial success of the singer/songwriterly Neil Young, the iconoclastic rocker tore down everything he’d built with the fractious Everybody Knows This Is Nowhere. In the 60s, Sgt. Jun 24, 2012 - Explore Bradley Williams's board "1960's Album Covers" on Pinterest. Turn! Wake Up … It’s Tomorrow – Strawberry Alarm Clock. Joplin had already wowed the Monterey Pop Festival with her performance of Big Mama Thornton’s “Ball and Chain” a year earlier. It also has a photo of an alarm clock at the back cover, which was taken by Gene Brownell. But they asked Andy Warhol to design the album cover. My vote flops between the first two depending on my mood, but if we’re judging solely on the primordial chaos and destruction inherent in the truest rock ‘n’ roll, White Light / White Heat is clearly number one. The release of this album in 1966 was suspended by International artists, until after the Easter Everywhere album by the 13. In the 60s, Sgt. Culture . This newly reformatted edition of Classic Album Covers of the 60s features more than 200 of the very best—and, in some cases, entertainingly worst—covers that graced LPs throughout that groundbreaking decade. —Patty Miranda, Her subsequent LP was titled Aretha Arrives, but it was actually this release that ushered the Queen of Soul into the mainstream. But it is still an iconic cover that is psychedelic. The cover art of this album features an old man beside a colorful scenery. On its release, it was received indifferently but has since become one of the most celebrated albums of the 60s. Wake Up … It’s Tomorrow is Strawberry Alarm Clock’s 2. album, which was released in 1968. —Ryan Reed, All of Lady Soul is brilliant, from the girl-power sing-along of “Chain of Fools” to her outshining Carole King (sorry, everyone, but come on now) on “(You Make Me Feel) Like A Natural Woman” to the soaring groove of “Since You’ve Been Gone (Sweet Sweet Baby),” but to understand the true power of the album, and perhaps Aretha Franklin as a singer in general, it’s all in the closing track. It feels like a love song. —Beca Grimm, This 1967 concept album challenged the idea of rock ’n’ roll converging with commercial success and profit. Tag: iconic album covers of the 60's. This album is an experimental amalgam that is neither a live album or a studio album. This album features 58 different people, which were chosen by Paul McCartney, Peter Blake, John Lennon, George Harrison, Jann Haworth, and as well as Robert Fraser, who’s a London art dealer. 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